Holden and the Cliff
Chapter 22 of The Catcher in the Rye is marked by a conversation between Holden Caulfield and his younger sister Phoebe in which Holden is asked a multitude of profound questions. Among these is a question that is a centerpiece of the coming-of-age experience; Phoebe asks, "Name something you'd like to be. Like a scientist. Or a lawyer or something" (223). In response to the question, Holden ventures down a rather familiar path, expressing his disinterest and distaste for these two professions that are well-respected by society, "'I couldn't be a scientist. I'm no good in science'... 'Lawyers are all right, I guess -- but it doesn't appeal to me'... 'All you do is make a lot of dough and play golf and play bridge and buy cars and drink martinis and look like a hot-shot'" (223). As Holden continues to ponder the question, an idea spontaneously enters his mind, "You know what I'd like to be? I mean if I had my goddam choice?" What he describes next is oddly specific yet "crazy" and hard to understand; "'Thousands of little kids, and nobody's around -- nobody big, I mean -- except me. What I have to do, I have to catch everybody if they start to go over the cliff'... 'That's all I'd do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy'" (225).
Is Holden's wish to be "the catcher in the rye" an absurd thought, a product of far too many drinks and a mental state in rapid decline, or does he actually mean what he is saying? If so, what does he mean, and is he referencing anything in particular? The events following the discussion only seem to confirm to Holden that he was right about feeling concerned and eager to protect the young. The steps he takes in response make it clear that he genuinely meant what he said, and that he has the intention to fulfill his promise.
While staying at Mr. Antolini's house, Holden has an experience that causes him to flee his teacher's apartment in disgust. After falling asleep on the couch, he awakens to find Antolini patting him on his head, a gesture that he finds both confusing and frightening. On the elevator ride down, Holden reveals, "Boy, I was shaking like a madman. I was sweating, too. Whenever something perverty like that happens, I start sweating like a bastard. That kind of stuff's happened to me about twenty times since I was a kid. I can't stand it" (251). Clearly, Holden is suspicious of Antolini after the incident, and once again, society has let him down. This encounter is likely a reason why Holden feels the need to protect children, especially given his acknowledgement of numerous experiences in this department during his younger years. His "catcher in the rye" image wasn't a random thought designed solely to perplex the reader. Certainly, it was in need of explanation, as noted by Holden when he repeats twice that his idea is crazy. That explanation can be found in Holden's unique experiences, including both past and present "perverty" experiences, as well as his general rejection of society; Phoebe and himself are examples of children who Holden has always wanted to prevent from coming of age and growing into "phonies." Moreover, Holden feels like the only capable person (the only "big" one, to use his example) who can save children from falling off the metaphorical cliff. Even later on, as he wanders around Phoebe's school, he encounters the words "Fuck you" written on the wall, and mentions, "I thought how Phoebe and all the other little kids would see it, and how they'd wonder what the hell it meant... and how they'd all think about it and maybe even worry about it for a couple of days" (260). While examining the writing, he even says, "I figured it was some perverty bum" (260). Again, Holden comes face to face with his concerns about how society can destroy children with its "perverty" ways. He feels the pressing need to assert himself and keep the children of Phoebe's school, perhaps the field of rye he was referring to, safe from the evil abyss. He fulfills his role as catcher in the rye by erasing the words from the wall, demonstrating to the reader and to himself that there was indeed some value to his crazy idea.
Throughout The Catcher in The Rye, Holden makes it very clear that he does not approve of human society. He has a strong distaste for change, particularly in people when they start acting "phony" just to please others and fit in. He does his best to act completely opposite from what would be expected of somebody his age, making this a coming-of-age novel that feels rather anti-coming-of-age. When Phoebe asks him to evaluate the world he lives in and figure out what his role should be, he decides that all he wants to do is protect other youth, especially Phoebe and the children of her generation, from submitting to the corruption of the world. For once, Holden's trademark impulsiveness generated a somewhat calculated idea, enabling him to find purpose in his life and be the change he wishes to see in the world.
Rico Duursma
Nice job lil bro.
ReplyDeleteYou definitely highlighted an aspect of Holden's coming of age that I think is very important. Throughout the novel, it seems like Holden can't do anything good for himself. Holden's "sigma" mindset hinder Holden's ability to connect with other characters and leave him in a dilemma. Phoebe's enlightenment allows Holden to find what he really loves doing, and although it is quite odd how Holden found his real passion, it leaves Holden in a better position than where he began.
Great post Rico. The idea that Holden is the catcher in the rye who simultaneously protects the children from the harsh adult world while also preventing children from growing into adults and therefore becoming phonies is an interesting idea that I certainly agree with. This also agrees with Holden's view of Jane, who never appears in the story (!) - Holden wants to prevent his perfect mental image of Jane being sullied by her growth and coming-of-age.
ReplyDeleteIt's ironic how Holden has this grandiose goal in his mind of saving the children from the corruption that comes with maturity, when he himself seems lost. His experiences, the disillusionment with adulthood, has shaped his desire to the protect the children's innocence. I believe his dream is both wholesome and confronts the reality of life as he sees it. Great post Rico!
ReplyDeleteI like the idea of Holden potentially finding a lane for himself in the adult world as a kind of "protector" of childhood innocence, or at least a facilitator of the transition to adulthood in a way that might prevent "going over the cliff of adulthood," as his catcher-in-the-rye metaphor suggests. And his (futile) effort to erase the profanity from the school walls is maybe one example of what this might mean. It is interesting that this fantastical "job" he imagines (cliffside rye-field tender) bears some similarity to his idea of what a lawyer might do (saving "innocent guys' lives and all"), only without the potential for corruption because no glory or social status is attached to this "job."
ReplyDeleteBut as you say, the Antolini head-patting incident throws a kink into the works. Antolini serves as a kind of "catcher" for Holden, talking about his "terrible fall" and trying to save him (and we have the model of James Castle and HIS fall as an analogy), but then he possibly blows all the progress he might have made with Holden when he pats him on the head: one more example of corrupt adults failing children in crucial moments.
Maybe Holden can still believe that he can be that ONE adult who can maintain some degree of integrity while navigating the transition to adulthood. And maybe he starts with his little sister, when she suddenly wants to run away and leave it all behind, and Holden tries to "save" her.
Holden genuinely wants to protect children's innocence from the real world, but can't seem to accept it from someone else besides the select few people that he likes. Your point about his whole thing with Mr. Antolini particularly resonates with me. It feels like he's trying to catch the children from falling while failing to realize that he's falling as well.
ReplyDeleteBuilding off of what Alan mentioned, it's strange that someone like Holden, who seems to personify a lot of the problems he himself has with society, like being a phony and swearing in front of kids (Phoebe), would show such a strong desire to preserve the innocence of children from these negative traits. Perhaps Holden feels so from experience, as he doesn't want any other kid to follow his path, which he maybe finds immoral and flawed. Although, we see him clearly attempt to mold Phoebe into someone like him, which brings into question how he wants kids to be like. Perhaps this is another instance of a Holden contradiction, or maybe he genuinely wants to protect the kids. Overall, nice post Rico!
ReplyDelete